58px - 600 - 1.4
A typeface I have yet to name.
Prehaps ‘Tui Sans’.
Download version 1.1 ⬇️
16px - 400 - 1.5
Also, in J. R. R. Tolkien’s The Lord of the Rings, the character of Gollum may be considered to have both disgusting and empathetic qualities, which fit him into the grotesque template. Victor Hugo’s Hunchback of Notre Dame is one of the most celebrated grotesques in literature. Dr. Frankenstein’s monster can also be considered a grotesque, as well as the title character, Erik in The Phantom of the Opera and the Beast in Beauty and the Beast.
16px - 400 - 1.5
Other instances of the romantic grotesque are also to be found in Edgar Allan Poe, E.T.A. Hoffmann, in Sturm und Drang literature or in Sterne’s Tristram Shandy. The romantic grotesque is far more terrible and sombre than the medieval grotesque, which celebrated laughter and fertility. It is at this point that a grotesque creature such as Frankenstein’s monster (in Mary Shelley’s novel published in 1818) begins to be presented more sympathetically.
14px - 400 - 1.5
Also, in J. R. R. Tolkien’s The Lord of the Rings, the character of Gollum may be considered to have both disgusting and empathetic qualities, which fit him into the grotesque template. Victor Hugo’s Hunchback of Notre Dame is one of the most celebrated grotesques in literature. Dr. Frankenstein’s monster can also be considered a grotesque, as well as the title character, Erik in The Phantom of the Opera and the Beast in Beauty and the Beast.
12px - 400 - 1.5
Other instances of the romantic grotesque are also to be found in Edgar Allan Poe, E.T.A. Hoffmann, in Sturm und Drang literature or in Sterne’s Tristram Shandy. The romantic grotesque is far more terrible and sombre than the medieval grotesque, which celebrated laughter and fertility. It is at this point that a grotesque creature such as Frankenstein’s monster (in Mary Shelley’s novel published in 1818) begins to be presented more sympathetically.
58px - 600 - 1.2
Tēnā koe
24px - 400 - 1.5
Kōwhiria te momo kete e hiahia ana koe ki te hanga, ka whakaingoa ai i te kete me te tāuru i ō ihirangi i mua i te pāwhiri Tiaki. I tipu ake he rakahinonga hou – ngā kaihanga kiriata, ngā kaihanga pūmanawa rorohiko, ngā kaikōpiro waipiro, ngā kaitunu kai me ngā.
42px - 400 - 1.2
On top of their roofs grow slender stalks and volutes with human figures senselessly seated upon them.
42px - 500 - 1.2
They were introduced by Raphael Sanzio and his team of decorative painters.
42px - 600 - 1.2
Other 16th-century writers on grottesche included Daniele Barbaro, Pirro Ligorio and Gian Paolo Lomazzo.
42px - 700 - 1.2
This large array provided a repertoire of elements that were the basis for later artists across Europe.
42px - 800 - 1.2
Such designs were fashionable in ancient Rome, as fresco wall decoration, floor mosaics, etc.
42px - 900 - 1.2
Dismissing them as meaningless and illogical, part of the series of Raphael’s Rooms in the Vatican Palace, Rome.
108px - 400 - 1.2
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz0123456789
108px - 700 - 1.2
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz0123456789
108px - 900 - 1.2
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz0123456789
140px - 400 - 1
a
140px - 500 - 1
a
140px - 600 - 1
a
140px - 700 - 1
a
140px - 800 - 1
a
140px - 900 - 1
a
140px - 400 - 1
b
140px - 500 - 1
b
140px - 600 - 1
b
140px - 700 - 1
b
140px - 800 - 1
b
140px - 900 - 1
b
140px - 400 - 1
u
140px - 500 - 1
u
140px - 600 - 1
u
140px - 700 - 1
u
140px - 800 - 1
u
140px - 900 - 1
u
140px - 400 - 1
s
140px - 500 - 1
s
140px - 600 - 1
s
140px - 700 - 1
s
140px - 800 - 1
s
140px - 900 - 1
s
18px - 400 - 1.2
Made by Eliot Slevin